Everything was a blur in my head

The exhibition features Monika Navickaite's photographs shot on expired Soviet film that were inherited from their dad as well as his work from the 80s Lithuania.

The exhibition explores the personal and political dimensions of memory, identity, and authoritarianism. Symbols and remnants of the past, Soviet-era architecture, monuments, and traces of everyday life, are overlaid with contemporary urban landscapes and political markers, reflecting how history persists, transforms, and collides with the present.