Image Caption
Conservation Status: Vulnerable, 2018
SWG3 will display a new exhibition from Natalia Poniatowska. Hosted in the venue’s Acid Bar space,
the new exhibition will run from February 5 th until 7th of March.
Exhibition opening 05.02.2020 6pm
The following day - 06.02.2020 - the artist invites you to the gallery for the exhibition tour - Natalia will talk about her project and will be happy to answer questions about her practice. It's a great opportunity to meet the artist, get to understand the work and talk about the contemporary photography scene. All welcome! Start at 11.30am.
Natalia Poniatowska first picked up a camera at the age of 13 years and went on to graduate from
Fine Art Photography at The Glasgow School of Art in 2018. Her forthcoming exhibition,
Humanature, explores the ground that exists between fine art and documentary photography and
will feature XXX new works.
In the past year alone, Natalia has displayed her photography in galleries around the world,
including: The National Museum of Cracow, 12 Star Gallery in London, ARCHIP in Prague, Orms in
Cape Town, 5&33 Gallery in Amsterdam, Pingyao International Photography Festival in China, and
The Waterhouse Gallery in Maastricht.
More recently, Natalia picked up the Adam Bruce Thomson Award 2019, adding to her long list of
accolades including: the British Journal of Photography Breakthrough Award 2017, Debuts 2018,
Grand Press Photo 2018, Wena 2012, and she was selected as one of 15 best graduates in creative
fields by It's Nice That in 2018.
Natalia grew up in the industrial realm of Silesian region in the Southern part of Poland (Bytom) and
after 7 years in Scotland, she recently moved to Warsaw, Poland.
Commenting on her work, she said, “I am an observer. Drawing inspiration from various conditions
of the reality around me, from the great interest in the modern, dynamic art scene but also from my personal experiences, I believe in the power of images to convey the emotions, truths and
challenges of the modern reality. My approach to picture making is to present ordinary, non-
idealised, never staged reality.”
Conservation Status: Vulnerable, 2018