PASSAGE brings together two connected bodies of work – Family and In This Place – spanning more than 20 years in the lives of Margaret Mitchell’s extended family. Three generations lay…
Surrounded by everyday mysteries/Drifting each day in the light/ For as long as the sun lasts – This book of days takes us to the edge of loss or perhaps the cusp of epiphany. Geary’s…
A new title by Jos Treen is available now. Glasgow 1978 ‘I was that kid in the early 1960’s who always took charge of the family camera. What seemed like a revolutionary move at…
Pre-orders of NOTES Issue 8 »Care and Recovery« have started. The journal will be shipped in April/May. NOTES are back with an issue about Care and Recovery which has been long in the…
Margaret Watkins´ work has been forgotten for too long. Like many women photographers, her art has been, unfairly, set aside in the History of Photography. This book and the related…
Shaun Murawski is a longtime collaborator with Struggletown. His work is on the cover of The Sinking Feeling – Ugly/Old Friends 12″ and the flinch. – Enough is Enough…
Bluecoat Press is publishing Margaret Mitchell’s Passage which incorporates her key projects Family and In This Place for the first time. With a foreword by Alasdair Foster. SPECIAL…
Douglas Corrance’s photographs have been the main images in numerous books, including guides to Japan, Paris, France, India and New York, and he has also produced portraits of…
The term ‘amateur photographer’ is usually used dismissively, reducing that person’s work to no more than a hobby. History shows that this is often a false categorisation, as illustrated…
‘Pentimento’ in a term that I have borrowed from art where it is used in reference to paintings, meaning “the presence or emergence of earlier images, forms, or strokes…
