Cable Management

Fins practice moves between digital sources, physical wandering, and the translation of experience into image. Beginning with ideas and locations gathered online, Fin shifts into a slower, more tactile process of walking and composing, considering how what he sees might be flattened, distilled, or reimagined.

In this body of work, he replaces the camera with what he calls “cable management,” drawing from the linear language of maps, diagrams, and graphs. These structures, designed to clarify information become visual material in their own right.By placing the recognisable tangle of cables in dialogue with the ordered logic of these diagrams, Fin invites viewers to consider how data becomes image, and how the systems surrounding us can be represented within the gallery space.