another | place

contemporary photography exploring our relationship with 'place'.

land | place | journey | city | environment | community

Lowland Highlanders | John Irvine

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‘The Scottish Highlands are known throughout the world for intense beauty, that collaborates hundreds of diverse peaks with plunging glens often entering coastal waters. Its position in this world means that it gets intense changes of weather that are extremely diverse and flowing; adding drama to already dramatic geography. Quite rightly, its standing in the world as a place to visit is at the very top.

Yet, under 50 miles from the border of England, in the Lowther Hills area of the Scottish Lowlands, are Scotland’s highest communities. They contain deep history that centre’s upon the natural resources underneath the surface; in particular its gold and lead. Nicknamed ‘Gods Treasure House’ due its abundance of minerals and precious metals, the area is rich in its geographical diversity.

Man made development is typically all around us and only increasing at a higher and more impactful rate, and whilst improvements and changes are needed to the infrastructure of the area, it is largely untouched. This provides a raw and reassuring visual sensation with overwhelming beauty all around; which transfers on to its residents and gatekeepers of the land.

‘Lowland Highlander’s’ is my documentary journey of the lives and land that exist in an area often overlooked by people yearning to visit the more well known and obvious views of Scotland. The work has been ongoing since early 2022.


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book - The series is being released as a hardback photobook by the excellent Kozu Books, available to pre-order now. Highly recommend bagging a copy folks!

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All images & text © John Irvine

The Lizard | Gabriele Rossi

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Shot over a period of three years, these images draw on structures found in traditional American photography, such as the work of Robert Adams. 

But when considered from the perspective of an outsider who’s looking for a reminder and feeling of ‘home’, The Lizard manages to transform the familiar into the unfamiliar, creating a strange and uncanny atlas. 

Gabriele Rossi first visited the United States in 2016 to prepare for a six-month New York residency. 

Upon arriving in New York City, Rossi felt overwhelmed by the metropolis and its rhythm, which was completely unlike that of his home village on the coast of Italy.

This led Rossi to leave New York and search for more familiar landscapes. 

Gabriele Rossi said:
I looked for the edge of the city, went to the shore at Rockaway, the houses, anything that could remind me of where I’m from

It was this experience that led Rossi to reconsider his definition of ‘home’ - the place where he could ultimately feel comfortable. 

Rossi returned to the U.S twice more to explore this compulsion across over ten states in the Midwest and West.

When the pandemic interrupted further travel, Rossi revisited the pictures that he had amassed, trying to find common forms and themes – the connections that built the story about his being away from home.

He wanted to create a sense of why he was taking the photographs, and not just to present a selection of images ‘about’ America.


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book - ‘The Lizard’ has just been released as a photobook by the excellent Deadbeat Club, and is available in standard and special editions. Highly recommended folks! Some images of the book below…

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All images & text © Gabriele Rossi

Ira | Rory Fuller

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From the short time spent with Ira, it was clear that nature, the woods and wild places put him at ease. He was content with his humble backyard, in small town America. He knew the trails and landmarks like the back of his hand, and held the knowledge that only a lifelong pilgrim of Yosemite would know. He spoke of how in recent years wildfires had become increasingly worse; however Ira was hopeful, taking time to show Yosemite’s full cycle of life from devastation to the regrowth of Sequoia and Pine.


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zine - ‘Ira’ was released as a high quality zine in our 'Field Notes’ series in a limited edition of 100… still a few last copies left!

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All images & text © Rory Fuller

Beautiful Brutalism | Jo Underhill

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Beautiful Brutalism is an ongoing project which started in 2011. I have always been a fan of brutalist architecture and concrete as a material, so I decided to explore this by photographing the National Theatre in London. I enjoyed it so much that I wanted to photograph more of these amazing post-war buildings so in between commissioned work I have been exploring and photographing buildings across the UK. Unfortunately, brutalist architecture has not been universally liked or supported. Not all of these buildings were built with the same original design vision and over the years many have been neglected and fallen into disrepair. As a result, public opinion has often been negative and disparaging. In many peoples’ minds concrete has become synonymous with ugliness. In recent years dozens of brutalist buildings have been demolished - Birmingham Central Library, Tricorn Centre, Welbeck Street Car Park to name but a few – with many more currently under threat.

The project has evolved from the early beginnings of simply wanting to photograph concrete and brutalism, to a life–long undertaking to document and highlight the beauty of brutalist architecture in the UK. This project celebrates those buildings that have already been lost and I hope, in some small way, challenges the prevailing view about brutalism by showing how beautiful these buildings are if you take the time to really look at them.

In early 2022 I self-published a limited-edition book bringing together photographs from the first ten years of this project which was designed by Stanley James Press. The book is now sold out but since the beginning of the year I have been collaborating with musician and composer Carl Woodcroft on a soundtrack to accompany the photographs in the book. Carl was inspired by the book and has created a mood and soundscape for each building. It is a mix of sound and vision; the album includes a digital booklet of the photographs featured in the book and notes from Carl talking about inspiration for each track and it is available to preorder now and to buy from Friday November 3rd.


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album - highly recommend listening to, and pre-ordering, the accompanying album by Carl Woodcroft… it’s fantastic!

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All images & text © Jo Underhill

Our Hidden Room | Mohamed Hassan

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As an artist with dual nationality, this project explores my identity as part of an ever expanding diasporic community based in Wales. I draw inspiration from the memory of my complex yet loving relationship with my father. I reflect on his own personal struggle with bi-polar disorder, made clear to me by his erratic, reclusive, behaviour and his obsession with the small dark room, hidden within our family home.

Through my lens, I seek to explore the complexity of the human experience and the legacy of a traumatic and uncertain childhood, of living within a fragile environment and the desire to escape memories. My personal conflict about belonging is represented through the people I meet and the lands that I explore, both in Egypt and Wales. The constant feeling of displacement and questions of identity are forever present.


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All images & text © Mohamed Hassan

Things Fall Apart | Matt Courtney

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Sullen paths and unremarkable lanes.

Muted waypoints and empty
enclosure
s.

The recursive back and forth.
Unresolved and fractured out of
t
ime.

Me walking with my girls.

These photographs depict the shared walks with my two young daughters within the quiet village here in North East Wales during the early days of the first lockdown. Little of the places and scenes encountered during these walks could be described as picturesque or eye-catching in a conventional sense, but from these fractured sights and recurring waypoints came the chance for us to pause and find some sort of calm, away from the disorientating uncertainty of the unfolding situation. These walks would become the new routine by which we’d underpin our days spent together, simply trying to make some semblance of sense of the situation and the place we happened to find ourselves in.

With the gradual lifting of our boundaries and the return to the lockstep groove of our old routines and busy lives, the later photographs took on an increasingly broader scope, but in order to emphasise this fractured moment in time, I wanted to dispel any sense of chronological order through the sequencing.

Though the girls are absent from the photographs, their presence in the work indelibly informs and provides the gentle undertow that pushed and pulled us through the repeated sights and scenes encountered. The cover design features artwork that was made by my youngest daughter during this time.


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book - a few copies of the second (and final) edition of Matt’s self-published book are available either directly from himself via his IG account, or from photobookstore.co.uk - you can see a video flick-through of the book here, and some images below…

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All images & text © Matt Courtney

Fractions | Luke Saxon

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Fractions aims to explore the fundamental concept of interconnectedness and its relevance to our daily lives, investigating how various elements, such as people and the environment, influence and play off each other.


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book - we’re excited to announce that ‘Fractions’ is our latest photobook release here at Another Place Press, available to pre-order now! The standard edition is available for just £18, while the special edition (which comes with a stunning A4 print which is signed and numbered by Luke) is £54. If you fancy bagging a special edition, there’s only a handful left already! You can see some sample spreads below, plus the special edition print…

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All images & text © Luke Saxon

Dear Kairos | Simon Bray

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Created over two weeks on the streets of Athens, ‘Dear Kairos’ is a letter to the Ancient Greek considerations of time. The viewer is invited to consider the Kronos, the linear, mechanistic and determined passing of clock and calendar time, and the Kairos, serendipitous, opportunistic and boundless time. Through the use of repeated scenes and careful sequencing, ‘Dear Kairos’ creates a dialogue between the regular passing of time and moments loaded with significance that can be pushed through and embraced in order to distinguish, as Frank Kermode writes, “between mere chronicity and times which are concordant and full”.


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book - ‘Dear Kairos’ has recently been released as a photobook by the excellent Skinnerboox. You can see a few images of the book below - highly recommended folks!

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All images & text © Simon Bray

Harrowdown Hill | John Spinks

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I started work on Harrowdown Hill in 2008, the final pictures were made at the end of 2014.The photographs that appear in the book were made from July 2013 to July 2014.

My interest in the Kelly story began very simply. From reading contemporary reports I understood what had happened as an example of institutional bullying. the research I subsequently undertook revealed a more nuanced and detailed picture of two institutions (the BBC and the Blair government) engaged in a struggle to control competing narratives, how that struggle played out and how events developed a momentum of their own that became impossible to control.

The circumstances around his death are the starting point for a series of photographs of Harrowdown Hill in Oxfordshire where Kelly died on the 17th of July 2003.

I visited Harrowdown Hill once a month for a little over a year, making multiple pictures of the same eight or so locations on each visit. At each place I would make a photograph, sometimes I would make a second or third, they might be made a few seconds, minutes, hours, or eventually months apart. By doing this I was hoping to create a sense of time dilating and compressing that would enable the viewer, through the changes in light, weather, and season, to ‘move’ backwards and forwards in time. Through these multiple iterations of specific views, the viewer is lulled, then brought up sharp, and then again lulled by the rhythms of time and nature.

Photography has often been used to record sites of significance, places where things have happened in the near or distant past. It’s a long tradition stretching back as far Roger Fenton’s pictures of battlefields in Crimea in the 19th Century. Very often this way of working relies upon a single image resulting from a single visit to a site. Given the complexity of the Kelly story, I wanted to examine Harrowdown Hill and the meanings it has accrued more rigorously. By developing a process of repeating images during repeated visits my hope is that the pictures start to resonate in such a way as to deepen and intensify the experience of viewing the work.

The Kelly affair crystallised a political moment for me, it led me to think about the role of the landscape in shaping ideas of nationhood, how images of the land have a powerful emotional pull and how at certain times in our national story that connection can be used to animate troubling responses. Most importantly, I think that the death of David Kelly symbolises a shift in British politics. Jonathan Coe in his novel Number 11 wrote 'this was not an ordinary death,  it would have consequences, send ripples of unease and mistrust throughout the country. That Britain would be a different country from now on: unquiet, haunted.’


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book - ‘Harrowdown Hill’ is John’s latest photobook release, and is an absolute beauty of a book… photography to immerse yourself in, and feel a real sense of ‘place’. The book production matches the wonderful work within. Highly recommended folks! See some sample spreads below…

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All images & text © John Spinks

White Hart Lane | Jack Smethers

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Tottenham was my home. It was the council house on Nursery Street my mum was raised in by her grandparents. The same roof she would later raise my sister and I under.

It was where I could hear a goal in the spurs ground from the living room window, before seeing it on live TV. It was where I spent hours on my bike in the street and where I was knocked off it by a car. It was where I went trick or treating on Halloween and where our family car was stolen and destroyed after a joyride. It was where my great-granddad, Stan, would get away with taking a three-year-old me into the bookies, because they knew and liked him so much. Tottenham is also where he spent his final moments.

Like all these memories, Tottenham is a neighbourhood of complexity.

Areas of poverty are surrounded by prosperity. Council homes are next door to million-dollar penthouse apartments. Food banks and £7 craft pints are on the same street. The presence of the new billion-dollar football stadium and the eyes that it brings to the area cannot be understated. This development has caused a dramatic increase in high-rise building projects and ‘new money’ residents. The periphery of this glass colosseum, however, does not reflect this economic change. Instead, the blocks of flats, locally named ‘Love Lane’, and the neighbouring high street are completely overshadowed by the stadium with no so-called trickle-down effect, but rather a clear divide. Tottenham has some of the highest rates of crime and unemployment in London, however many longtime residents now also fear the loss of their homes and businesses as they get priced out of the community.

It is this community that I have chosen to focus on. The incredible people that make Tottenham one of the most culturally rich and interesting areas in the country.


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All images & text © Jack Smethers